На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a close-up view, focusing primarily on the head and shoulders. The artist has employed hatching and cross-hatching techniques to delineate the contours of the face and hair, creating an impression of softness and density. The pillow’s surface is suggested through parallel lines that mimic its plushness. The rendering of the clothing – a simple robe or nightgown – is less detailed, serving primarily as a backdrop for the figures form.
The composition directs attention to the subject’s profile, which is turned slightly away from the viewer. This positioning contributes to an atmosphere of introspection and privacy. The absence of any discernible background beyond the pillows reinforces this sense of seclusion.
Subtleties in the shading suggest a play of light across the face, hinting at a quiet emotional state. The inscription June 8.18 alongside the signature indicates the date of creation and likely the artist’s location (Hindley). This detail adds a layer of personal context to the work, suggesting it might be a study or a record of a specific moment in time.
The drawings overall effect is one of gentle observation and quiet intimacy. It avoids overt narrative elements, instead focusing on capturing a fleeting moment of rest and repose.