img688 Edvard Munch (1863-1944)
Edvard Munch – img688
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Painter: Edvard Munch
The painting "The Kiss" was painted by Edvard Munch in 1897. Like all of the scandalous artist’s works, this one also creates a dual impression. On the one hand, it looks bleak, repulsive and negative, despite the fact that it depicts a kiss. On the other hand, the picture wants to look and look, gradually revealing all its facets, all its secrets and mysteries. The plot of the picture is as follows: a couple in love, hidden behind a thin curtain, enjoying a kiss in the light of sevens, forgetting about everything in the world.
Description of Edvard Munch’s painting "The Kiss"
The painting "The Kiss" was painted by Edvard Munch in 1897. Like all of the scandalous artist’s works, this one also creates a dual impression. On the one hand, it looks bleak, repulsive and negative, despite the fact that it depicts a kiss. On the other hand, the picture wants to look and look, gradually revealing all its facets, all its secrets and mysteries.
The plot of the picture is as follows: a couple in love, hidden behind a thin curtain, enjoying a kiss in the light of sevens, forgetting about everything in the world. Despite the fact that the situation is considered extremely racy, Munch has very delicately conveyed all the sensations. By distorting the space, he slightly modified the passion and intensity that were supposed to emanate from the lovers in electric waves.
Despite the relatively poor color scheme, the artist added color to some of the details. For example, the standout details of the women’s clothes in orange not only multiply the temperament of the picture, but also create around the couple a kind of flair, mystery and even fantasy.
But Edvard Munch’s main idea was to deprive the figures of outlines and faces. Despite this, he managed to give them plasticity and grace. The absence of faces is an encoding of information about the characters themselves in the painting. The most important thing is their experiences, emotions, feelings, not social status or any facial or figure features. After all, love must exist solely on a spiritual level.
Another detail of the painting is the silhouette of a man, which is visible through a small window. Edward Munch sort of separates, with the help of a curtain, real humanity and faceless, empty society. The only thing that matters here is the heat of passion, after all, the kiss itself, and everything else behind that small square of the room is silly, insignificant, and worthless.
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The picture has something of this: people, cave, subway system, man, mammal, woman, tunnel, two, nude, group, exploration, light, museum, tree.
Perhaps it’s a painting of a woman sitting in front of a window with her head resting on a woman’s shoulder, with a lit window in the background.