Félix Édouard Vallotton – Perseus slaying the dragoni
1910. Oil on canvas, 160×225cm.
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COMMENTS: 2 Ответы
У художника драконы кончились, привёл крокодила, а название поменять забыл. Хотя где Персей и где драконы?
Есть старинный русский лубок "Баба-яга борется с крокодилом"
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To the left of the central figure sits a female nude, her pose one of quiet contemplation rather than alarm or involvement in the struggle. Her hands are clasped in front of her, her gaze directed downwards, suggesting a detachment from the unfolding drama. The contrast between her stillness and the man’s dynamic action creates a palpable tension within the scene.
The dragon itself is rendered with an unsettling realism; its scales are meticulously detailed, and its jaws are agape, revealing rows of sharp teeth. It appears to be partially submerged in the sand, suggesting a vulnerability that belies its monstrous nature. The creature’s form is bulky and grounded, further emphasizing the mans physical dominance.
The color palette contributes significantly to the painting’s overall mood. Muted greens and yellows dominate the sky and sea, creating an atmosphere of quiet melancholy. The flesh tones are pale and somewhat sickly, adding to the unsettling quality of the scene. A dark, rocky outcrop rises in the background on the right side, providing a sense of enclosure and isolation.
Beyond the literal depiction of a struggle between man and beast, the painting seems to explore themes of power, violence, and detachment. The woman’s passive observation suggests a commentary on societal roles or perhaps an indictment of the brutality inherent in acts of dominance. The dragons vulnerability might be interpreted as a symbol of repressed fears or anxieties, while the man’s aggression could represent a destructive impulse. The overall effect is one of unease and psychological complexity, prompting reflection on the darker aspects of human nature and the consequences of unchecked power.