Félix Édouard Vallotton – Reclining nude on yellow cushion
1904. Oil on canvas, 98×146cm.
Location: Sturzenegger Foundation.
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The color palette is restrained yet impactful. The muted green backdrop provides a neutral space against which the figure and cushion stand out. The yellow of the cushion introduces a point of visual interest and warmth, contrasting with the cool tones of the skin and bedding. This contrast subtly elevates the cushion to a symbolic element, perhaps representing comfort or luxury.
The artist’s brushwork appears deliberate, employing short, visible strokes that contribute to the textural quality of both the fabric and the figures skin. The lighting is soft and diffused, minimizing harsh shadows and emphasizing the contours of the body. This creates an atmosphere of intimacy and invites a contemplative observation.
Beyond the purely representational aspects, the painting seems to explore themes of femininity, vulnerability, and self-possession. The direct gaze challenges conventional depictions of the female nude, suggesting agency rather than passivity. The reclining posture evokes associations with leisure and indulgence, while the exposed body speaks to both fragility and strength. The cushion, positioned prominently behind her head, could be interpreted as a symbol of protection or a barrier between the subject and the external world.
The overall effect is one of quiet contemplation, inviting viewers to consider not only the beauty of the human form but also the complex interplay of emotions and ideas that underpin it.