#47306 Alexandre De Riquer e Ynglada (1856-1920)

The composition presents a central female figure dominating the visual field. She is depicted in a pose suggesting offering or presentation; her arms are extended upwards, holding what appears to be a laurel wreath. Her hair, rendered in flowing, undulating lines characteristic of Art Nouveau aesthetics, cascades down her shoulders and blends with the surrounding floral elements. The woman’s attire consists of a light-colored, draped garment that reveals portions of her torso and upper limbs, contributing to an overall sense of ethereal beauty and grace.
The background is filled with dense vegetation – a profusion of stylized flowers and foliage – rendered in a palette of muted greens, yellows, and touches of red. The floral motifs are not botanically accurate but rather serve as decorative elements that enhance the ornamental quality of the piece. A border frames the central image, employing a combination of solid lines and delicate flourishes. Text is integrated into the design at the top and bottom; the upper portion includes what appears to be a title or publication name (La Ilustración Artística) while the lower section contains names and a date (“1897”).
The subtexts within this work seem to revolve around themes of artistic celebration, literary homage, and idealized femininity. The laurel wreath, traditionally associated with victory and honor, suggests an acknowledgement of achievement – likely in the realm of literature or art, given the presence of a name that could be interpreted as a writer’s. The womans posture and expression convey reverence and offering, implying a dedication to the subject being celebrated. The Art Nouveau style itself reinforces notions of beauty, naturalism, and refined taste prevalent during the late 19th century. The overall effect is one of carefully constructed elegance intended to promote or commemorate something significant within the cultural landscape of its time.