pcal ge pad 011201 Gil Elvgren (1914-1980)

The composition presents a female figure in a dynamic pose against a saturated yellow background. The woman is clad in a blue shirt and white socks, her feet adorned with pointe shoes. She appears to be mid-motion, balancing on one toe while extending the other leg upwards, suggesting a dancer or ballerina. A cigarette is held between her fingers, adding an element of defiance or nonchalance to her demeanor.
The artist employed a smooth rendering technique, emphasizing the curves and contours of the figure. The lighting highlights the sheen of the fabric and the delicate form of the feet, creating a sense of realism despite the stylized presentation. A signature is visible in the lower left corner.
Superimposed on this central image are elements that contextualize it within a calendar format. The date January 12 is prominently displayed alongside the day of the week (Friday) and the week number (Week 2). Translations into French and German further reinforce the calendars international appeal. This juxtaposition creates an interesting tension between the idealized, almost pin-up aesthetic of the female figure and the mundane functionality of a calendar page.
The subtexts within this work are layered. The image seems to celebrate femininity and grace, but also hints at a certain independence and perhaps even rebellion through the inclusion of the cigarette. The calendar format suggests that this representation of womanhood is not merely an artistic statement, but rather a commodity intended for mass consumption and daily engagement. It implies a deliberate placement within the routines and rhythms of everyday life, transforming a potentially provocative image into a commonplace object. The overall effect is one of calculated charm, blending idealized beauty with a touch of subversive attitude.