Part 5 Prado Museum – Bernat, Martín -- La Crucifixión
1480, 126 cm x 92 cm, Tabla, Técnica mixta.
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At the apex of the arrangement is the crucified man. His body, rendered with a degree of anatomical detail, hangs exposed against a backdrop of a distant cityscape, presumably representing the location of his execution. Above him, an inscription is visible, likely denoting a significant phrase related to his fate. The figure’s posture conveys both agony and resignation, while the light illuminating his torso emphasizes his vulnerability.
Below the cross, a group of figures are clustered in varying states of distress. A woman draped in blue and red robes kneels prominently, her face etched with grief. Her pose is one of profound lamentation, suggesting a maternal connection to the man on the cross. Adjacent to her stands another figure, also encircled by a halo, exhibiting similar signs of anguish. Further figures are positioned around them, their expressions ranging from sorrowful contemplation to outright despair. The inclusion of several male figures, some in military attire, suggests the presence of both mourners and those responsible for the execution.
The artist’s use of color contributes significantly to the emotional impact of the scene. Deep blues and reds dominate the palette, evoking a sense of solemnity and mourning. The halos surrounding certain figures highlight their spiritual significance within the narrative. The background cityscape is rendered in muted tones, creating a visual separation between the immediate suffering and the broader world beyond.
The arrangement of the figures suggests a deliberate attempt to convey not only the physical pain of crucifixion but also the emotional toll it takes on those left behind. The inclusion of diverse reactions – grief, sorrow, contemplation – hints at the complexity of human response to tragedy. The distant cityscape serves as a reminder of the larger societal context within which this event unfolds, implying themes of justice, sacrifice, and faith.