Part 5 Prado Museum – Bayeu y Subías, Ramón -- El majo de la guitarra
1778, 184 cm x 137 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To his left sits a young woman, her expression one of attentive listening. She wears an elaborate gown of pale blue, adorned with ribbons and lace, and her hair is styled in a fashionable manner of the period. The contrast between her refined attire and the man’s more rustic clothing immediately establishes a distinction in their social standing.
The setting appears to be outdoors, within a landscape characterized by soft, diffused light. A large tree trunk rises on the right side of the composition, its foliage partially obscuring the background. The backdrop is rendered with a hazy quality, suggesting distance and contributing to an overall sense of tranquility.
Several subtexts emerge from this arrangement. The man’s musical performance could be interpreted as a display of skill and charm intended to entertain or impress the woman. The juxtaposition of their clothing hints at a potential romantic encounter across social boundaries – a common theme in artistic representations of the era. Furthermore, the setting itself, an idyllic outdoor space, evokes notions of leisure and escape from the constraints of urban life.
The artist’s use of light and shadow contributes to the overall mood. The man is bathed in a warm glow, highlighting his features and emphasizing his role as the central figure. The woman, while also illuminated, appears slightly more subdued, suggesting a degree of deference or perhaps a subtle reserve. The compositions balance – the man’s dynamic pose countered by the woman’s stillness – creates a visual harmony that reinforces the sense of quiet intimacy within the scene.