Sir Godfrey Kneller – Henricus Aldrich
1696 mezzotint, engraved by John Smith (1652-1743)
Location: Gerald Coke Handel Collection
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The man’s attire indicates a position of religious or academic significance. A dark, flowing robe drapes over his shoulders, partially concealing what appears to be a clerical collar. This garment contributes to an overall impression of solemnity and dignity. His hair is styled in the fashion of the period – long, wavy, and somewhat disheveled – a detail that softens the otherwise formal presentation.
The artist employed a technique emphasizing chiaroscuro, utilizing strong contrasts between light and shadow to model the man’s face and clothing. This creates depth and volume, highlighting his features: a prominent nose, full cheeks, and a firm jawline. The play of light also draws attention to the texture of his hair and the folds in his robe, adding visual interest.
Beneath the portrait, an inscription identifies the subject as Henricus Aldrich S.T.P. along with further titles related to ecclesiastical office. This textual element reinforces the sitter’s status and provides context for understanding the images purpose – likely a commemorative or official representation. The script itself is elegant and formal, mirroring the dignified character of the portrait.
Subtly, there is an air of quiet confidence conveyed by the man’s posture and expression. He does not appear to be posing; rather, he seems caught in a moment of thoughtful repose. This lends a sense of authenticity and psychological depth to the portrayal. The dark background serves to further emphasize his presence, creating a visual weight that underscores his importance. Overall, the drawing conveys an image of a man of learning and authority, presented with considerable skill and attention to detail.