Jean Honore Fragonard – Allegory of music
1760-65. 78х132
Location: Norton Simon museum of Art, Pasadena.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A youthful male figure, presumably a cherub, sits attentively at her side, holding a garland that seems ready to be bestowed upon her. This interaction implies recognition or celebration of the woman’s presence. The cherubs expression is one of earnest devotion, reinforcing the sense of reverence surrounding the central figure.
To the lower right, musical instruments – a horn and sheet music – are scattered on a surface, indicating the subject matter being represented. These objects are not actively engaged with; instead, they lie in a state of repose, suggesting that their power is inherent rather than dependent on performance. The placement of these items also creates a visual anchor for the composition, grounding the ethereal scene within a tangible realm.
The background consists of a cloudy sky rendered in muted blues and whites, creating an atmosphere of serenity and transcendence. This backdrop contributes to the overall sense of otherworldliness, suggesting that the depicted scene exists beyond the confines of earthly reality. The light source appears diffused, emanating from above and illuminating the figures with a gentle glow.
Subtly, there is a suggestion of vulnerability in the woman’s exposed shoulder, which contrasts with her otherwise regal bearing. This detail introduces an element of human fallibility into what might otherwise be perceived as a purely idealized representation. The overall effect is one of harmonious balance between the divine and the mortal, celebrating the power of music to inspire and elevate the human spirit.