Adam Frans Van der Meulen – View of the city of Luxembourg from near the Mansfeld Baths
1684 oil on canvas
Location: Fine Art Museum (Musée des Beaux Arts), Nantes.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is dominated by a group of figures on horseback and foot, seemingly engaged in some form of social gathering or procession. Their attire – a mix of formal wear and more rustic garments – hints at varying social strata within the depicted society. The presence of horses suggests both transportation and status; they are not merely functional but also symbols of wealth and power. A figure kneels near a basin, possibly partaking in some ritualistic cleansing or offering. This detail introduces an element of solemnity and perhaps religious significance to the scene.
The landscape itself is rendered with considerable attention to topographical detail. The city is situated within a valley carved by geological formations – steep cliffs define its boundaries, emphasizing its strategic location and natural defenses. A river winds through the lower reaches of the valley, providing both sustenance and transportation routes. The artist has employed atmospheric perspective to convey depth; distant features are softened in tone and blurred in detail, creating a sense of vastness and distance.
The sky is filled with billowing clouds, painted with loose brushstrokes that suggest movement and dynamism. This contrasts with the more structured depiction of the city and landscape below, adding visual interest and contributing to the overall feeling of grandeur.
Subtly, the painting conveys an impression of prosperity and stability. The bustling activity in the foreground, combined with the densely populated urban center, suggests a thriving community. However, the dramatic topography also implies potential vulnerability; the city’s defenses are visually apparent, hinting at past or anticipated conflicts. The gathering of people could be interpreted as a celebration of this resilience, or perhaps a display of unity and strength in the face of external threats. Ultimately, the work offers a layered portrayal of urban life within a geographically significant setting, blending elements of social observation with an appreciation for natural beauty.