Crocifisso Cimabue (Cenni Di Pepo) (1240-1302)

The composition presents a central figure affixed to a large, ornate cross. The man on the cross is depicted with a somber expression and elongated features, his body rendered in a stylized manner that prioritizes symbolic representation over naturalistic detail. He wears a reddish-pink loincloth, which contrasts with the pale tone of his skin. His eyes are downcast, conveying a sense of suffering and resignation.
Flanking the central figure on either side are smaller panels containing figures in profile. On the left, a woman appears to be weeping or gesturing towards the crucified man; her posture suggests grief and lamentation. Similarly, the figure on the right seems to be observing the scene with an expression of sorrow or contemplation. These secondary figures contribute to the narrative of suffering and loss associated with the central event.
The cross itself is highly decorated. The vertical beam displays a band of intricate geometric patterns in shades of orange and gold, while the horizontal arm bears an inscription rendered in capital letters. Above the cross, within a medallion, resides another figure – likely representing Christ or a saint – appearing serene and detached from the scene below.
The background is composed of a complex stained-glass window with a predominantly blue hue. The light filtering through this glass creates a luminous effect that highlights the figures and intensifies their emotional impact. This backdrop suggests a sacred space, reinforcing the religious context of the work.
The overall impression is one of solemnity and spiritual contemplation. The artist’s deliberate use of stylized forms, symbolic colors, and carefully arranged figures aims to evoke feelings of piety and empathy in the viewer. The composition seems designed not merely to depict an event but also to convey its profound theological significance.