Per Ekström – Landscape after Sunset
1869. 36×45
Location: National Museum (Nationalmuseum), Stockholm.
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The sky occupies a significant portion of the painting and is rendered as a turbulent expanse of clouds, tinged with hues of orange, pink, and grey. These colors suggest a moment just after sunset, when the last vestiges of daylight are struggling against encroaching darkness. The artist employed a loose, expressive brushstroke to depict the clouds, creating a sense of movement and atmospheric depth.
The tree itself is rendered with considerable detail, its twisted branches reaching upwards as if in supplication or defiance. Its presence acts as a visual anchor within the composition, providing a focal point that draws the viewers eye. The surrounding foliage appears dark and dense, contributing to the overall feeling of seclusion and quietude.
In the middle ground, indistinct silhouettes of trees line the far bank of the water, further emphasizing the vastness of the landscape. These distant forms are painted with less detail, creating a sense of perspective and depth. The reflections in the water mirror these elements, blurring the distinction between reality and its mirrored counterpart.
The painting evokes a mood of introspection and solitude. The subdued color palette and the absence of human figures contribute to this feeling, suggesting a moment of quiet contemplation within nature. There is an underlying melancholy present, perhaps stemming from the transient nature of beauty as represented by the fading sunset. The aged appearance of the tree could be interpreted as a symbol of resilience and endurance in the face of times passage. Overall, the work conveys a profound sense of place and invites the viewer to share in the stillness and serenity of this twilight landscape.