Councils and electrification are the basis of a new world. (Samokhvalov A.) Soviet Posters (1917-1941)

The composition presents a forceful visual statement centered around a figure positioned prominently in the foreground. He is depicted with a raised arm, suggesting leadership and direction, while his gaze is fixed forward with unwavering intensity. The mans attire – a dark suit – contrasts sharply with the vibrant red background, emphasizing his authority and symbolic importance within the scene.
Behind him, a complex arrangement of industrial machinery dominates the lower portion of the image. A large turbine or generator takes center stage, its metallic form rendered in stark detail, signifying technological advancement and power generation. Scattered around this central element are other mechanical components, further reinforcing the theme of electrification.
The upper section is characterized by radiating lines emanating from a central point, creating a dynamic sense of movement and expansion. These lines intersect with large, stylized lettering that proclaims a message about councils and electrification as foundational elements for a new world order. A cluster of documents or proclamations are partially visible in the lower right corner, their text obscured but suggesting official decrees or manifestos underpinning this envisioned future.
The color palette is deliberately limited to red, black, and white, contributing to the work’s overall impact and conveying a sense of urgency and revolutionary fervor. The use of red, particularly, evokes associations with socialist movements and sacrifice.
The artists choice of subject matter and stylistic approach clearly aligns with the propaganda art prevalent during the period. Here we see an attempt to visually articulate the ideological underpinnings of a new social system – one built upon industrial progress and collective governance. The work aims not merely to depict, but to inspire belief in this vision through its powerful imagery and assertive composition.