Black crows are preparing a robbery raid on the USSR. Proletarian, be on the alert! (Moore D.) Soviet Posters (1917-1941)

The composition presents a scene charged with anxiety and impending threat. A group of figures, rendered in a stylized, almost caricatured manner, are depicted in dynamic poses suggesting both anticipation and alarm. They appear to be clustered around a central point, their gestures – raised arms, outstretched hands – conveying a sense of urgent warning or perhaps even frantic defense. The individuals are uniformly clad in dark sportswear, contributing to the overall impression of uniformity and collective action.
Above this group looms an imposing structure that dominates the upper portion of the image. It is composed of sharp angles and stark planes, resembling a stylized industrial complex or a monolithic monument. A prominent cross is positioned atop this structure, immediately introducing a symbolic element that complicates the narrative. The presence of a crescent moon further enhances the sense of foreboding, suggesting an ominous celestial alignment.
The background features a cityscape rendered in simplified forms, with buildings receding into the distance. This backdrop provides context for the scene, implying a larger societal setting under potential duress. A red flag is visible among the figures, signifying allegiance to a particular ideology or political cause.
The text at the bottom of the image reinforces this sense of impending danger and calls for vigilance. The Cyrillic script conveys a message that speaks of an imminent raid and urges the proletariat to be on alert.
Subtleties within the work suggest layers of meaning beyond a straightforward depiction of threat. The stylized rendering of the figures, combined with the symbolic elements of the cross and moon, hints at a deliberate attempt to evoke emotional responses rather than present a literal representation. The composition’s use of strong diagonals and contrasting shapes creates visual tension, amplifying the feeling of unease. It is likely that the work functions as propaganda, intended to mobilize support through fear and a sense of collective responsibility.