The aim of the alliance is: the overthrow of the bourgeoisie, the rule of the proletariat, the destruction of the old bourgeois society based on class antagonisms, and the creation of a new society without classes and private property. K. Marx (Klutsis G.) Soviet Posters (1917-1941)

The composition presents a striking visual synthesis of portraiture and revolutionary iconography. Dominating the foreground is a large-scale depiction of a man with a prominent beard and intense gaze, rendered in a style reminiscent of photographic realism but imbued with a certain theatricality. His presence commands immediate attention, establishing him as the central figure around which the narrative unfolds.
Behind this individual, the background dissolves into a dynamic panorama of industrial activity and social upheaval. Factory smokestacks belch plumes of smoke against a fiery sky, suggesting both progress and potential destruction. In the lower portion of the scene, a mass demonstration is depicted – a throng of figures unified in purpose, their faces largely indistinct but conveying a sense of collective action and determination. The artist employed a muted color palette, primarily utilizing shades of brown, gray, and ochre to evoke a somber yet resolute atmosphere.
The inclusion of text at the bottom of the image provides crucial context. It is a direct quotation attributed to Karl Marx, outlining the goals of an alliance: the overthrow of the bourgeoisie, the establishment of proletarian rule, and the creation of a classless society. This inscription serves as a didactic element, explicitly linking the depicted imagery with Marxist ideology. The text’s placement reinforces the idea that the man in the portrait is presented not merely as an individual but as a symbolic embodiment of revolutionary thought.
The overall effect is one of powerful propaganda. The artist skillfully combines elements of realism and symbolism to create a compelling visual argument for social change. The juxtaposition of the authoritative figure with scenes of industrial labor and mass mobilization aims to inspire action and solidify support for the stated political objectives. The composition’s structure, with the portrait anchoring the scene while the background depicts the unfolding revolution, suggests that this individual is both a leader and a product of the forces he represents.