Luca Signorelli – Adoration of the shepherds
1521. 217x163
Location: Diocesan Museum (Museo Diocesano), Cortona.
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Above this earthly gathering, three winged figures descend from the sky. They are positioned at a higher level, creating a visual hierarchy that emphasizes their celestial origin. Each figure holds what appears to be a scroll or tablet, hinting at a message or proclamation being delivered to those below. The light illuminating them is distinct from the ambient lighting of the scene, further reinforcing their otherworldly status.
The artist’s use of color contributes significantly to the paintings narrative. Warm tones – ochres, browns, and reds – are prevalent in the depiction of the shepherds and the landscape, evoking a sense of humility and connection to the earth. The woman cradling the child is rendered with softer, more delicate hues, suggesting purity and maternal tenderness. In contrast, the angelic figures are bathed in cooler, brighter tones, emphasizing their ethereal nature.
The setting itself carries symbolic weight. The hills suggest a vastness beyond the immediate scene, implying a larger context for this event. The dense foliage on the right side of the composition creates a sense of enclosure and intimacy, drawing attention to the central group. A bull stands near the woman, an animal often associated with strength and sacrifice in religious iconography.
Subtly, the painting explores themes of humility, divine revelation, and the intersection between the earthly and celestial realms. The shepherds’ simple attire and postures underscore their status as common folk, chosen to witness a momentous event. The angelic messengers act as intermediaries, bridging the gap between the divine and human worlds. Ultimately, the work conveys a sense of wonder and reverence for an event that transcends ordinary experience.