John Gilbert – Apotheosis of Shakespeares Characters
1871 w/c and bodycolour over graphite on mounted paper
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The central focus draws attention to a seated figure, presumably an elder statesman, positioned upon a raised platform. He is surrounded by individuals who gesture towards him with reverence and apparent sorrow. To his right, a woman clasps her hands in what appears to be supplication or grief. The arrangement suggests a moment of solemn recognition or perhaps lamentation for a loss.
Above this central group, the figures become increasingly ethereal, bathed in a golden light emanating from the celestial sphere. Here we see winged beings – likely allegorical representations of inspiration and artistic creation – seemingly descending towards the assembled characters below. They appear to be showering them with blessings or offering some form of divine acknowledgement.
The artist’s use of color is significant. The lower portion of the composition utilizes a darker, more muted palette, reflecting the earthly concerns and emotional turmoil of the figures depicted there. In contrast, the upper regions are rendered in vibrant yellows, golds, and whites, symbolizing transcendence and spiritual elevation. This stark contrast reinforces the thematic division between the mortal realm and a higher, idealized plane.
The overall impression is one of theatricality and symbolic weight. The sheer number of individuals, their varied expressions, and the hierarchical arrangement suggest a narrative unfolding – perhaps a commemoration or apotheosis of significant figures from a shared cultural heritage. The presence of winged beings reinforces the notion that these characters are being elevated to a realm beyond earthly existence, celebrated for their contributions to art and storytelling. A sense of melancholy pervades the scene, hinting at the ephemeral nature of fame and the inevitability of loss even amidst celebration.