#16947 Monica Ozamiz Fortis

The canvas presents a dense arrangement of brushstrokes, predominantly in shades of green, blue, orange, and brown. These colors are not blended smoothly; instead, they exist as distinct blocks and streaks, creating a textured surface that appears almost tactile. The application is vigorous, with visible ridges and impasto suggesting an energetic process of creation.
Here we see no discernible figurative elements – no recognizable objects or figures emerge from the composition. Rather, the work seems to prioritize color and form over representation. Verticality dominates; though not strictly aligned, a series of darker, more muted tones suggest upright structures that might be interpreted as trees or pillars. These vertical elements are interwoven with broader swaths of green and blue, which seem to fill the spaces between them.
The overall effect is one of controlled chaos. While the brushwork appears spontaneous, theres an underlying structure – a sense of deliberate placement despite the apparent randomness. The interplay of warm and cool colors generates a visual tension that prevents the composition from feeling static or predictable.
Subtly, the painting evokes a sense of enclosure or confinement. The dense layering of color and the lack of clear spatial depth suggest a space that is both vibrant and restrictive. One might read this as an exploration of boundaries – the limits of perception, the constraints of experience, or perhaps even the complexities of human relationships. The absence of a focal point encourages the viewer to engage with the entirety of the surface, prompting a contemplative response rather than a straightforward narrative interpretation.