lrsSPM10-250-MillerKurt-Outlive Kurt Miller

The artwork presents a striking juxtaposition of human and technological elements within a dystopian urban landscape. Dominating the composition is a colossal face, seemingly sculpted from metallic components and exhibiting features that are both recognizably human and distinctly artificial. The skin appears stretched taut over an underlying framework of circuitry, suggesting a cyborgian or augmented existence. Intense red light emanates from the eyes, conveying a sense of power, perhaps menace, and possibly internal conflict. Electrical arcs crackle around the head, further emphasizing the integration of technology into this being’s form.
Below the face stretches a sprawling cityscape rendered in muted tones, hinting at decay and industrial scale. Explosions punctuate the horizon line, while several aircraft – likely military or security vehicles – are visible amidst the buildings, suggesting ongoing conflict or oppressive control. The perspective is low, looking upwards towards the monumental figure, which reinforces its overwhelming presence and authority.
A small, rectangular device held in a robotic hand extending from the face’s upper left quadrant draws attention. Red beams of light connect this device to the eyes, implying that it serves as an interface or control mechanism for the beings perception or actions. The detail on this object is sharp, contrasting with the more blurred background and highlighting its significance within the narrative.
The overall effect conveys a sense of technological dominance and societal breakdown. Subtexts revolve around themes of transhumanism, surveillance, power dynamics, and the potential loss of humanity in an increasingly mechanized world. The artwork seems to question the boundaries between human and machine, exploring the consequences of unchecked technological advancement and its impact on individual agency and collective well-being. The composition’s scale and dramatic lighting contribute to a feeling of unease and foreboding, suggesting a future where technology has fundamentally altered the nature of existence.