#46299 Andres Cillero

The composition presents a fragmented figure set against a backdrop of geometric abstraction. The central form appears to be a female torso, rendered in muted grays and blues with stark planes defining its contours. A large, smooth oval obscures the face, creating an unsettling sense of anonymity or perhaps suggesting a deliberate suppression of identity. Below this, a stylized breast is visible, further emphasizing the feminine aspect while maintaining a detached, almost clinical presentation.
The artist employed a cubist approach to deconstruct and reassemble the figure, breaking it down into angular shapes that overlap and intersect. This fracturing contributes to a sense of disorientation and challenges conventional notions of representation. The surface treatment is relatively flat, with minimal modeling or shading, which reinforces the two-dimensional quality of the work.
To the right of the torso, a smaller, similarly fragmented figure is positioned. Its features are simplified to an almost mask-like state – large, almond-shaped eyes and a small, triangular nose dominate its face. The color palette for this figure leans towards warmer tones – oranges and reds – creating a visual contrast with the cooler hues of the larger form. This smaller figure seems to be observing or interacting with the central figure, though the nature of their relationship remains ambiguous.
The background is dominated by bold geometric shapes in red, blue, and yellow. These forms are not integrated seamlessly with the figure; instead, they appear as separate planes that create a sense of spatial ambiguity. The abrupt shifts in color and perspective contribute to the overall feeling of fragmentation and instability.
Subtly, theres an unsettling quality to the work. The obscured face, the fragmented form, and the stark geometric background all combine to evoke feelings of alienation and psychological tension. It is possible that the painting explores themes of identity, representation, or the complexities of human relationships through a lens of abstraction and deconstruction. The juxtaposition of the feminine figure with the smaller, observing presence suggests a power dynamic or an exploration of vulnerability and perception.