Pehr Hilleström – Maid Buying a Love-Ditty
1796. 120.5×89.5
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her right stands a young boy, dressed in a red jacket, black trousers, and a hat tilted forward over his eyes. He holds several sheets of music, seemingly offering them for sale or trade. His gaze is directed downwards, avoiding direct eye contact with the woman; this gesture might imply shyness or an awareness of social distance. A small pouch hangs from his belt, suggesting he’s engaged in commerce.
The background is dominated by a dense thicket of trees, painted with loose brushstrokes that create a sense of depth and atmosphere. The foliage obscures any clear horizon line, focusing the viewers attention on the figures in the foreground. To the right, a copper vessel sits near the woman; its purpose remains ambiguous – it could be for water or some other domestic use.
The interaction between the two figures is laden with subtext. The woman’s engagement with the music suggests a desire for emotional expression and perhaps escapism from her daily life. Her purchase of sheet music, facilitated by the boys offering, implies an aspiration towards something beyond her immediate circumstances – a yearning for romance or artistic appreciation.
The boy, positioned as a vendor, represents a different social stratum, one involved in trade and potentially dependent on the patronage of those with more resources. The contrast between their clothing and postures highlights the class distinctions inherent in the scene. He is not merely selling music; he’s facilitating access to an emotional world that might otherwise be unavailable to the woman.
The overall tone is melancholic, tinged with a sense of longing. The subdued palette – dominated by greens, browns, and whites – reinforces this feeling, creating an atmosphere of quiet introspection. The scene evokes themes of social class, desire, and the pursuit of beauty within constraints.