Portrait of Moliere (1622-1673) Pierre Mignard (1612-1695)
Pierre Mignard – Portrait of Moliere (1622-1673)
oil on canvas
Edit attribution
Download full size: 780×1000 px (0,1 Mb)
Painter: Pierre Mignard
Location: Comedie Francaise, Royal Palace (Comédie-Française, Palais Royal), Paris.
Album navigation:
You cannot comment Why?
Here we see a man characterized by abundant, reddish-brown curls that cascade around his head and shoulders, creating a voluminous halo effect. This hairstyle was fashionable during the period, signifying status and artistic flair. The hair’s texture is rendered with visible brushstrokes, adding dynamism and a sense of naturalness to the depiction.
The subjects attire consists of what appears to be a dark, possibly velvet or brocade, garment draped across his shoulders. Subtle patterns are discernible within the fabric, hinting at wealth and refinement. The collar beneath the drape is simple, drawing focus back to the face. His expression is subtle; it’s not overtly jovial nor melancholic, but rather contemplative, perhaps even slightly amused. This ambiguity allows for multiple interpretations of his character.
The lighting in this painting is dramatic, with a strong light source illuminating the mans face and upper body while leaving much of the background shrouded in shadow. This chiaroscuro effect emphasizes the subject’s features and creates a sense of depth and volume. The limited palette – dominated by dark tones punctuated by warmer hues – contributes to an atmosphere of quiet dignity and introspection.
Subtly, there is a suggestion of theatricality within the portrait. The elaborate hairstyle, the rich fabric, and the direct gaze all evoke a performer’s presence. Its possible that this element intends to convey not only his personal identity but also his professional role as an actor and playwright – a man accustomed to engaging with audiences and embodying various characters. The overall impression is one of intelligence, sophistication, and a certain degree of self-awareness.