Vereshchagin Vasily (Vasilyevich) – Apotheosis of War
900 Classic russian paintings
Vereshchagin Vasily (Vasilyevich) - Apotheosis of War
Edit attribution
Image taken from other album: gallerix.org/s/2108932692/N/446618652/
Download full size: 4000×2511 px (3,1 Mb)
Back to album: 900 Classic russian paintings
Album navigation:
COMMENTS: 23 Ответы
The mountains of skulls are so dreadful -
White, and no longer bearing shame.
Vereshchagin showed all the horrors of war
With such force that no frame can contain it.
жутко
Its actually... terrible!!!
Very deep and, in my opinion, unusual.
apocryphally! deep and gloomy
When I saw it in the Tretyakov Gallery, it amazed me; its simply captivating...
For me, this pyramid of human skulls has always been a terrifying representation of the consequences of war. I dont like war... and therefore, I dont like this picture.
a great picture
The painting is very good; just look at the skulls, which have jaws...
Briefly. Concisely. To the very essence. I remember in class, the teacher put up a reproduction on the board and remained silent for about two minutes... What could be added to that?
Its very fascinating.
It would be good to show this painting more often on television so that people understand the consequences of war! Its a very accurate depiction for all time, showing how war leads to countless deaths, suffering, and no future – only poverty, hunger, and misery! A very important painting for every generation!
How many skulls are painted in the picture?
War is awesome!
Novorossiya by V. V. Putin.
While looking at the painting, thoughts about Ukraine arise.
The painting is known not only in Russia but also abroad. The atmosphere depicted in this work accurately reveals all the horrors of war: death, blood, hunger, and suffering.
The pile of disfigured skulls is not randomly placed in the desert under a scorching sun. The background subtly hints that war has already been here, leaving nothing alive behind; even the earth is dead. Only crows celebrate.
This horrifying pile of skulls is, in reality, an ornament of eastern lands, through which rulers displayed their power and ruthlessness towards their enemies. Vereshchagin V. V. does not depict the realities of war without reason; he invites viewers to reflect on the fact that any head could end up in one such pyramid.
Its truly a magnificent painting; I stood in front of it for almost an hour at the Tretyakov Gallery. The entire room, and indeed Verezhtagin himself, were incredibly impactful! What are art schools doing? Even in our time, his work is barely mentioned. Were losing so much!
Vereshchagin depicted the consequences of war! An appeal to humanity! But perhaps people do not learn from history and are moving towards self-destruction.
These are the skulls of unwanted enemies!
Veraščagin is primarily a scout. To whom does he address his work and about which war does he tell us? Look at the paintings by his friend, I. Repin: Manifestation, Religious Procession and so on. These works can be analyzed. Sensing the inexorable march of history, he addresses us, the common people (forgive me).
So, you didnt understand it. It is an anti-war painting.
Back in the last century, there was a joke among art historians that this painting should be renamed The Zemstvo Had Lunch.
You cannot comment Why?
The painting Apotheosis of War by Vasily Vereshchagin presents a stark and disturbing scene: a vast pyramid of human skulls in a desolate, arid landscape under a clear blue sky.
What I see:In the foreground and center, a colossal mound of bleached human skulls dominates the canvas. They are piled haphazardly, some showing teeth, others with vacant eye sockets. A trail of skulls extends from the base of the pyramid into the foreground, implying a broader devastation. The ground is dry and cracked, with sparse, dry grass and a few scattered bones. In the middle ground, skeletal, leafless trees stand like barren sentinels, some with bird nests, further emphasizing the sense of death and decay. In the background, ruined structures and fortifications suggest a place that was once inhabited but is now destroyed and abandoned. Crows and other black birds are scattered throughout the scene, perched on the skulls, on the dead trees, and circling in the sky, a traditional symbol of death and desecration. The harsh sunlight casts long shadows, intensifying the bleakness of the environment.
Subtexts:The painting is a powerful anti-war statement.