BRYULLOV Karl – Portrait of the Most Serene Princess Elizabeth Saltykov. 1841 900 Classic russian paintings

In Karl Bryullovs 1841 portrait of Princess Elizabeth Saltykov, the subject is depicted seated in a plush, dark red armchair, her gaze directed slightly away from the viewer. She wears an elaborate gown of shimmering lavender and blue silk, adorned with a delicate white lace collar and cuffs. The voluminous skirt of her dress is gathered, displaying layers of fabric and hints of red and black underneath.
Her features are rendered with soft realism, her dark hair styled neatly around her face. In her hands, she holds an open fan composed of dark feathers, likely from a peacock, which drapes down towards the floor. The fan is decorated with red lace, adding a touch of vibrancy to its dark plumes.
The setting appears to be a conservatory or a room with large windows overlooking a lush, verdant garden on the left. Exotic plants and flowers create a rich, green backdrop. To the right, a classical architectural element, possibly a column or pilaster, stands against a darker, shadowed background, suggesting an outdoor terrace or loggia.
The floor is covered with luxurious animal skins, predominantly leopard print, which further emphasizes the sitters wealth and status. The lighting is soft and diffused, highlighting the textures of the fabrics and the delicate rendering of the Princesss skin.
The subtexts of this portrait speak to several elements of 19th-century aristocratic life. The rich fabrics, elaborate dress, and opulent setting, including the exotic plants and animal skins, are clear indicators of Princess Saltykovs high social standing and presumed wealth. The peacock fan, a symbol often associated with luxury, beauty, and vanity, adds a layer of regal elegance and perhaps a hint of pride. The soft, almost languid pose and the faraway look in her eyes might suggest a sense of nobility, introspection, or even a touch of melancholy, common themes in portraiture of the Romantic era. Bryullovs skillful execution of light, texture, and detail creates a portrait that is both a realistic depiction of the sitter and a testament to the lavish lifestyle of the Russian aristocracy.