Pordenone – San Rocco and the dog
1525~1526
Location: Academy Carrara (Accademia Carrara), Bergamo.
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A central figure, seated on the ground, occupies the leftmost portion of the canvas. He wears simple garments and a cap adorned with a cross, leaning upon a long staff. A dog stands attentively near him, its gaze directed towards the group positioned further along the right side. The animal’s presence introduces an element of loyalty and companionship, potentially signifying protection or faithfulness.
On the right, three men are depicted in varying degrees of interaction. One gestures emphatically with his hand, seemingly engaged in a conversation or explanation. He is dressed in more elaborate attire than the seated figure, suggesting a difference in social standing or role within the narrative. The other two figures stand beside him; one appears to be listening intently while the third seems slightly detached, observing the scene with a reserved expression. Their clothing indicates a degree of formality and perhaps signifies their position as witnesses or participants in an event.
The background is rendered with a muted palette, suggesting distance and atmospheric perspective. A glimpse of a distant horizon line hints at a broader world beyond the immediate setting. The wall on the right bears inscribed text, though its legibility is limited; it likely provides contextual information relevant to the depicted narrative.
Subtleties within the painting suggest layers of meaning. The contrast between the shadowed left side and the illuminated right creates a visual dichotomy that could represent opposing forces or perspectives. The seated figure’s posture conveys weariness or contemplation, while the gestures of the men on the right imply urgency or explanation. The dogs presence adds an emotional dimension, hinting at themes of devotion and protection. Overall, the work seems to depict a moment of encounter or revelation within a landscape imbued with symbolic significance.