Zinaida Serebryakova – Port of Collioure
1930
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The harbor itself is framed by buildings constructed from stone and stucco, their colors muted in the overall palette. A fortress-like structure sits atop a promontory, its presence lending an air of historical significance to the location. The mountains rising in the background are depicted with broad washes of blue and grey, conveying their scale and distance.
Along the right edge of the painting, a stone balustrade runs parallel to the waters edge. A figure leans against it, seemingly observing the scene; this individual acts as an intermediary between the viewer and the landscape, inviting contemplation. Further along the promenade, two figures are depicted walking away from the viewer, their forms rendered with minimal detail, contributing to a sense of quiet solitude.
The color scheme is restrained, relying primarily on blues, greens, greys, and ochres. The light appears soft and diffused, characteristic of coastal environments under overcast conditions. This creates a tranquil mood, despite the implied activity within the harbor.
Subtly, theres an underlying tension between the natural grandeur of the mountains and the human presence – the boats, buildings, flags, and figures – suggesting a relationship of coexistence or perhaps even a quiet struggle for space. The painting evokes a sense of place, capturing not just the visual appearance but also the atmosphere and feeling associated with this coastal location.