Marrakesh, walls and towers of the city Zinaida Serebryakova (1884-1967)

The composition presents a view of a fortified urban landscape, dominated by imposing ochre-colored walls and towers. The palette is largely monochromatic, revolving around variations of red-brown hues that unify the scene and evoke a sense of heat and aridity. Light falls unevenly across the structures, creating dramatic contrasts between illuminated surfaces and deep shadows, which contribute to the overall feeling of solidity and age.
Here we see a sprawling vista, with the walls receding into the distance, suggesting an expansive city beyond the immediate foreground. The towers are not uniformly shaped; some appear more robust than others, hinting at different periods of construction or varying levels of defensive importance. Nests, occupied by birds, are perched atop several of these structures, introducing a touch of life and scale against the monumental architecture.
The lower portion of the painting is populated with figures engaged in various activities. A man stands prominently in the foreground, his posture suggesting contemplation or perhaps vigilance. Other individuals are seated, conversing, or leading donkeys – typical scenes of daily life within a walled city. The clothing worn by these people – flowing robes and head coverings – reinforces the impression of a distinct cultural setting.
The artist’s brushwork is loose and expressive, prioritizing atmosphere over precise detail. This technique lends a sense of immediacy to the scene, as if capturing a fleeting moment in time. The lack of sharp lines and defined edges contributes to the overall feeling of warmth and haze that permeates the composition.
Subtly, theres an underlying tension between the imposing nature of the fortifications and the seemingly tranquil activities taking place within them. This juxtaposition might allude to themes of protection versus freedom, or perhaps a commentary on the enduring presence of tradition in a changing world. The birds nesting atop the walls could be interpreted as symbols of resilience and adaptation, finding life even within structures designed for defense. Ultimately, the painting offers a glimpse into a place where history, culture, and daily existence intertwine under an unrelenting sun.