Senegalese soldier Zinaida Serebryakova (1884-1967)

The drawing presents a portrait of a young man, presumably a soldier given the distinctive red cap he wears. He is positioned centrally within the frame, facing directly toward the viewer with a solemn and unwavering gaze. The artist has employed a restrained palette; earth tones dominate, with the vibrant red of the headwear providing the sole significant color contrast against the muted skin tones and light-colored shirt.
The man’s posture conveys a sense of quiet dignity and restraint. His arms are crossed over his chest, creating a barrier between himself and the viewer while simultaneously suggesting an underlying strength and composure. The artists use of charcoal is evident in the visible sketch lines that define the contours of the face and clothing, lending a raw immediacy to the depiction. These lines aren’t smoothed out; they contribute to the impression of a quick study, perhaps capturing a fleeting moment or a particular characteristic.
The facial features are rendered with careful attention to detail. The strong jawline, full lips, and broad nose speak to an individual identity while also aligning with conventional representations of African masculinity. There is a certain stoicism in his expression; it’s difficult to discern any overt emotion, which contributes to the overall sense of reserve.
Subtly, the drawing seems to engage with themes of colonial encounter and representation. The subjects direct gaze challenges the viewer, demanding recognition and respect. The formal pose, reminiscent of traditional portraiture, elevates him beyond a mere ethnographic specimen. It suggests an attempt at portraying not just physical likeness but also inner character – a personhood that transcends his role as a soldier within a colonial system.
The background is deliberately indistinct, focusing the viewer’s attention entirely on the subject. The signature and date in the lower right corner serve to anchor the work in time and place, while simultaneously acknowledging the artists presence and perspective. Overall, the drawing offers a complex portrayal of identity, duty, and representation within a historical context marked by colonial power dynamics.