Zinaida Serebryakova – Versailles The roofs of the city
1924
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a limited range of colors – predominantly ochre, grey-green, and pale pink – to depict the scene. These hues contribute to an overall atmosphere of tranquility and perhaps even melancholy. The application of paint is fluid and expressive; lines are not sharply defined but rather suggested through variations in tone and texture. This technique lends a sense of immediacy and spontaneity to the work.
The rooftops themselves display a variety of architectural details, from dormer windows to chimneys, hinting at the individual character of each dwelling. A subtle gradient of color suggests the effect of light falling upon the buildings, though there is no strong indication of a specific time of day. The sky, rendered in soft pinks and greys, lacks distinct cloud formations, further emphasizing the subdued mood.
Beyond the straightforward depiction of urban architecture, the painting seems to explore themes of memory and perception. The blurred edges and indistinct forms suggest that what we are seeing is not necessarily a precise representation but rather an impression – a fleeting moment captured in time. The tree’s obstruction of the background buildings could be interpreted as symbolizing the way personal experiences or memories can obscure our view of the past.
The compositions emphasis on rooftops, typically unseen and often overlooked, suggests a deliberate attempt to find beauty and interest in the mundane aspects of everyday life. It is not a grand panorama but an intimate glimpse into a quiet corner of urban existence. The work evokes a sense of nostalgia, inviting contemplation about the passage of time and the enduring nature of place.