22979 Ken Done

The composition presents a scene dominated by vibrant color and flattened perspective, creating a dreamlike quality. A broad expanse of blue water occupies much of the middle ground, punctuated by several figures engaged in what appears to be surfing or paddleboarding. These individuals are rendered with simplified forms and minimal detail, emphasizing their role as participants within a larger, stylized environment.
The foreground is characterized by two prominent, abstracted shapes. To the left, a dark reddish-brown form rises vertically, resembling a distorted human figure or perhaps an organic structure. Its surface appears textured, suggesting a rough materiality. Adjacent to this, on the right side of the canvas, lies a large, reclining shape in a warm terracotta hue. This element echoes the posture of repose and contributes to a sense of stillness within the dynamic scene.
A solitary figure, dressed in light-colored clothing, stands near the reclining form, seemingly observing the activity on the water. The placement of this individual suggests a detached perspective, as if the viewer is positioned alongside him.
The background reveals a stylized depiction of a coastal landscape. Buildings are suggested through simplified geometric forms and blocks of color, creating an impression of urban density juxtaposed against the natural environment. A warm orange sky with scattered cloud formations provides a backdrop to this scene, intensifying the overall chromatic intensity.
A handwritten inscription appears near the bottom edge of the canvas: Bondi. This textual element anchors the work to a specific location and adds another layer of meaning, potentially referencing a place known for its beaches and surfing culture. The surrounding border is decorated with stylized floral motifs in shades of pink and blue, further contributing to the painting’s decorative aesthetic.
The artists use of bold outlines, flattened planes, and an unconventional color palette suggests an interest in exploring subjective experience rather than objective representation. The work seems to convey a sense of leisure, observation, and perhaps a subtle commentary on the relationship between humanity and its environment.