Michael Zulli – Zulli Michael-The Sandman=The Wake-D50-VV025
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Flanking this central figure are two imposing figures, seemingly guardians or sentinels. They are depicted as winged beings, their faces obscured by hooded cloaks, and each holds aloft a human skull. The coloration of these figures is earthy – browns and ochres – contrasting sharply with the pallor of the central figure and the vivid red of the poppies. Their presence immediately establishes a connection to mortality and the inevitable cycle of life and death.
The background reveals a landscape shrouded in twilight, hinting at a liminal space between worlds. A wrought-iron fence partially obscures the view, creating a sense of enclosure and separation. The vegetation clinging to the fence and the bases of the winged figures suggests an encroaching natural order reclaiming what was once structured or controlled.
The subtexts within this work are layered and complex. The poppies, traditionally associated with remembrance and sleep, likely symbolize both oblivion and the fleeting nature of beauty. The skulls held by the winged beings serve as stark reminders of mortality, while their guardianship suggests a protective role over the realm of dreams or perhaps even the afterlife. The central figure’s posture – bowed head and downward gaze – conveys introspection, sorrow, or perhaps acceptance of an unavoidable fate.
The overall effect is one of profound stillness and quiet contemplation on themes of life, death, memory, and the passage of time. The artist has skillfully employed color contrast, symbolic imagery, and a carefully constructed composition to evoke a powerful emotional response in the viewer.