Le dйbut de la crйation Rene Gagnon

The composition presents a landscape dominated by swirling forms and a muted color palette. Here we observe a horizon line dividing the canvas roughly in half, with a body of water occupying the lower portion and a mountainous or geological formation rising from it in the upper section. The artist employed broad brushstrokes to create a sense of movement and dynamism throughout the scene.
The water is rendered in shades of blue and grey, reflecting the somber tones of the sky above. Its surface appears still, yet subtly agitated by unseen forces. Above this, the landmass takes on an almost sculptural quality. The forms are not clearly defined as individual peaks or ridges; instead, they coalesce into a single, undulating mass. A range of colors – ochre, cream, and touches of red – are interwoven within these shapes, suggesting internal complexity and perhaps even heat or energy.
The sky is characterized by turbulent brushwork, with dark blues and purples dominating the upper portion of the canvas. Hints of lighter tones suggest a diffused light source, but it remains indistinct and ethereal. The overall effect is one of vastness and primordial power.
Subtly embedded within this landscape are suggestions of figurative elements. The arrangement of the landforms evokes the shape of a human head in profile, with the upward curve suggesting a brow or forehead. This implicit representation lends the scene an allegorical dimension, hinting at themes of creation, emergence, or perhaps even divine presence. The muted color scheme and indistinct forms contribute to a sense of mystery and ambiguity, inviting contemplation on the origins of existence and the forces that shape the world. It is not merely a depiction of nature; it appears to be an exploration of genesis itself.