Claude Lafleur – Claude Lafleur - Le peche aux roses, De
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figures themselves are depicted in a uniform green attire, their postures rigid and almost mannequin-like. They appear to be engaged in some activity, though the nature of this action remains ambiguous; they seem to be fishing, but the tools or methods employed are not explicitly shown. Their uniformity contributes to an overall sense of detachment and anonymity.
Beneath the boat, a complex grid pattern defines the waters surface. This geometric structure is disrupted by the presence of numerous fish-shaped forms, rendered in shades of pink, green, and orange. These shapes are angular and simplified, echoing the stylized nature of the figures above. The juxtaposition of the rigid geometry with the organic forms of the fish creates a visual tension that prevents a straightforward reading of the scene.
The color palette is restrained but impactful. The dominance of cool blues and greens in the water contrasts with the warmer pinks and oranges of the fish, drawing attention to their presence within the composition. This contrast also contributes to a sense of unease or disorientation.
Subtextually, the work seems to explore themes of labor, conformity, and perhaps even exploitation. The anonymous figures performing an undefined task in a structured environment suggest a system at play, one that may be both productive and dehumanizing. The stylized fish could represent resources being harvested, further reinforcing this interpretation. The overall effect is not celebratory but rather contemplative, prompting questions about the relationship between humanity, nature, and the systems we create to interact with them.