Horses in front of an adobe (1927-1933) Nikolay Feshin (1881-1955)

The composition presents a rural scene dominated by earthy tones and textured brushwork. In the foreground, a body of water reflects the sky above, its surface rendered with thick impasto that creates a sense of movement and visual complexity. The reflections are fragmented, suggesting a disturbed or rippled surface rather than a still pool.
Beyond this aquatic element, a field stretches towards a cluster of adobe structures. These buildings appear rudimentary, constructed from sun-baked clay bricks, and their forms are softened by the application of paint – they seem less defined architectural statements and more like organic extensions of the landscape itself. A group of horses occupies the central space, positioned between the waters edge and the dwellings. Their dark coloration contrasts with the surrounding ochre hues, drawing immediate attention to them. The animals appear somewhat static, their postures suggesting a moment of rest or observation.
The background is characterized by an indistinct sky, painted in muted shades of orange and brown. This atmospheric perspective contributes to a sense of depth while simultaneously flattening the visual field. The brushstrokes here are particularly loose, creating a hazy effect that obscures any clear delineation between earth and sky.
A palpable feeling of isolation permeates the scene. The absence of human figures reinforces this impression; the horses seem to be the sole inhabitants of this remote locale. The subdued color palette and rough application of paint evoke a sense of austerity and resilience – a visual representation of life lived in close proximity to nature, marked by both hardship and quiet beauty. The painting suggests an exploration of themes related to rural existence, labor, and the enduring relationship between humans and animals within a specific geographical context.