Woman with a Cigarette (1917) Nikolay Feshin (1881-1955)

The composition presents a seated woman, rendered in a loose, expressive style characterized by visible brushstrokes and a vibrant palette. She occupies the central space, positioned diagonally across the frame, which contributes to a sense of dynamism and casualness. The figure is enveloped in a flowing white garment, accented with delicate lace details that catch the light and add textural complexity. A dark sash cinches her waist, providing contrast against the lightness of the dress.
The woman’s posture suggests a moment of repose; she leans back on an ornate chair, its form suggested rather than precisely defined through broad strokes of black and ochre. Her gaze is directed slightly off-center, conveying a sense of introspection or perhaps detachment from the viewer. She holds a cigarette between her fingers, raising it towards her mouth in a gesture that is both elegant and subtly defiant.
The background is an ambiguous field of yellow and green hues, applied with energetic brushwork that creates a hazy atmosphere. This lack of specificity prevents the scene from being grounded in a particular location, instead emphasizing the figure as the primary focus. The lighting appears to be diffused, illuminating her face and dress while leaving portions of the chair and background in shadow.
Beyond the straightforward depiction of a woman smoking, several subtexts emerge. The cigarette itself is a potent symbol, often associated with modernity, independence, and even rebellion against societal norms. Its presence here suggests a character who embraces unconventional behaviors or challenges traditional expectations for women. Her relaxed posture and direct gaze further reinforce this impression of self-assuredness.
The loose brushwork and vibrant color scheme contribute to an overall feeling of spontaneity and emotional intensity. The artist seems less concerned with precise representation than with capturing the essence of a fleeting moment, conveying a sense of psychological depth through expressive means. The painting’s aesthetic choices suggest a deliberate departure from more conventional portraiture, hinting at a desire to portray not just physical likeness but also an individuals inner life and attitude.