Fra Angelico – Lamentation over Christ, detail
1436-41. 109x166
Location: National museum of San Marco, Florence (Museo Nazionale di San Marco).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
MY PRAYER
I dont know your prayers,
Mother of God.
I choose the words myself.
The road is rough –
But in spirit, I will overcome!
Because you will help me – thank you!
I will succeed!
You are helping – and my heart
Beats lighter.
I dont know how to live carefree
In the realm of words.
To always smile – its right
And not necessary.
Without prayer, there is no peace.
The true name of light
Is unknown.
Life is given! – And that alone
Is so wonderful.
And sunrises, and sunsets,
And hopes
Give us joy abundantly –
As if before.
Mother of God, all doubts –
Are deceitful tricks.
How great (or to my regret?)
Is the power of space!
Time is quite neutral to us,
It simply lasts.
Oh, how infernally it swirls –
Darkness swirls.
And to you I turn
With a gentle word.
I struggle with my mind
Against the senseless:
For the power of pride firmly
Squeezes the mind.
Only human faith
Gives wings.
Only faith gives wings
To a person.
It fills the soul with happiness –
With the happiness of light.
And there is no other happiness
In our lot.
Help me to draw closer to the light
Of Gods will.
You cannot comment Why?
In the lower left corner, a circular halo frames a face – a male figure with somber features and long hair. His expression conveys profound sorrow and resignation; his gaze appears directed downwards, away from the landscape. A small, rectangular inset in the upper right corner depicts a solitary figure, seemingly positioned on an elevated platform or ledge, also appearing to be in distress.
The artist’s use of perspective is notable for its lack of strict adherence to linear principles. The hills and mountains appear flattened, creating a sense of spatial ambiguity rather than realistic depth. This stylistic choice contributes to the paintings overall mood of melancholy and introspection.
Subtly, the landscape itself seems to mirror the emotional state of the figures depicted. The barrenness of the terrain, the muted color palette, and the overcast sky all contribute to a feeling of desolation and loss. The distant structures suggest a sense of confinement or isolation, further reinforcing this atmosphere. The circular halo around the face in the lower left corner implies a spiritual dimension to the scene – a suggestion of suffering and sacrifice. The figure in the inset, though small, adds another layer of narrative complexity; his posture suggests grief or lamentation, potentially echoing the emotions expressed by the central figure. Overall, the work conveys a powerful sense of sorrow and contemplation, inviting viewers to reflect on themes of loss, faith, and human suffering.