Fra Angelico – St Peter Martyr Altarpiece, predella - Saints Catherine of Siena and Cecilia
1427-28
Location: Courtauld Institute Gallery, London.
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On the left, a woman stands draped in a dark habit, her face framed by a wimple and veil. Her expression is serene, almost melancholic, as she extends her hand in a gesture that could be interpreted as offering, blessing, or supplication. The stark contrast between her white undergarment and the black of her habit draws attention to her piety and detachment from worldly concerns. A subtle modeling of the face suggests an attempt at naturalism within the constraints of the stylized aesthetic.
To the right, another woman is depicted wearing a blue robe and a golden crown. Her gaze is directed towards the viewer with a gentle, compassionate expression. She holds a green branch or plant in her hands, a symbol often associated with victory, peace, or martyrdom. The use of gold for both her crown and the surrounding ornamentation reinforces her elevated status and divine connection.
The medallions themselves are encircled by an intricate pattern of foliage rendered in gold leaf. This decorative element serves not only to enhance the visual appeal but also to create a sense of enclosure and otherworldliness, isolating the figures within their symbolic realms. The gilded background contributes to this effect, evoking a celestial or spiritual atmosphere.
Subtly, there is an interplay between earthly humility (represented by the figure in black) and heavenly grace (embodied by the woman crowned). This juxtaposition may allude to the dual nature of faith – the need for both personal devotion and divine intervention. The arrangement suggests a narrative pairing, perhaps highlighting contrasting aspects of spiritual virtue or different paths towards sanctity. The overall impression is one of quiet dignity and profound religious significance.