A formidable cluster of mysteries. Full of juice, Berries of action.
If we are accused of hypocrisy, Well, we will die without guilt.
The spiral staircase Is made of faded stone, I see black cracks Between its steps.
Around it is the grandeur of Egypt – Or another Empire, A macro-empire of light, That will not be forgotten.
Dedication to initiates To whatever extent possible?
Faith for the doomed! – This representation is false.
Beyond the steps is a lower hall – You must pass through it, So that the upward gaze Fills with light – the path.
The world is mysterious – Childhood is like purity, Naivety against the altar Of earth – and the height Of dreams. And the spiral Staircase leads upwards, Growing with each flight, Giving rise to spiritual growth.
Look out the window – snow, Moscow, streetlights – Where is this mystery given? If you dont know, dont speak of it.
The mystery of spheres is always within us, in our souls, Above our heads, Drink deeply This mysterious drink. Burn away the possibility of smiles, Serious love For light – Which is the blood Of the first – long ago – Christians, Strengthening the light.
Outside of mystery, there is Nothing. Life outside of it is an embodied flaw.
The composition is structured within a rounded architectural frame, reminiscent of an apse or vault, creating a sense of sacred enclosure. At the apex of this space, two figures dominate: a male figure seated on a throne and a female figure positioned slightly to his left. The male figure, presumably Christ, extends his hand towards the female, who is receiving a crown. Both are enveloped in flowing robes of pale hues – white and gold respectively – that contribute to an atmosphere of ethereal grace and divine authority. A halo surrounds each head, further emphasizing their sanctity. Below this central scene, seven figures kneel or sit, arranged in a semi-circular formation. Each individual is identifiable by the distinctive habit of their religious order; these are clearly depictions of saints. Their gestures – hands raised in supplication or blessing – suggest reverence and participation in the coronation taking place above. The color palette for these lower figures is more restrained, utilizing browns, blacks, and muted tones that contrast with the luminosity of the upper scene. Each saint also possesses a halo, albeit smaller than those surrounding Christ and Mary. The artist’s use of light is significant. It emanates primarily from behind the central figures, illuminating them while casting the lower saints in a softer glow. This creates a visual hierarchy, directing the viewers attention to the divine act of coronation. The faces of all individuals are rendered with a degree of solemnity and serenity, conveying piety and devotion. Subtly, there is an emphasis on institutional representation. The inclusion of these specific saints – each associated with distinct orders or theological traditions – suggests a desire to legitimize or endorse the authority being bestowed upon Mary. It’s likely that this work served as more than just a devotional image; it functioned as a visual statement about religious order and patronage, reinforcing established hierarchies within the Church. The arrangement of the saints also implies a lineage of faith, connecting past spiritual leaders with the present moment of divine blessing.
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09 The coronation of Mary, Saints Thomas of Aquin, Benedict, Dominic, Francis of Assisi, Peter the Martyr and Mark — Fra Angelico
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COMMENTS: 1 Ответы
MYSTERY
A formidable cluster of mysteries.
Full of juice,
Berries of action.
If we are accused of hypocrisy,
Well, we will die without guilt.
The spiral staircase
Is made of faded stone,
I see black cracks
Between its steps.
Around it is the grandeur of Egypt –
Or another Empire,
A macro-empire of light,
That will not be forgotten.
Dedication to initiates
To whatever extent possible?
Faith for the doomed! –
This representation is false.
Beyond the steps is a lower hall –
You must pass through it,
So that the upward gaze
Fills with light – the path.
The world is mysterious –
Childhood is like purity,
Naivety against the altar
Of earth – and the height
Of dreams.
And the spiral
Staircase leads upwards,
Growing with each flight,
Giving rise to spiritual growth.
Look out the window – snow, Moscow, streetlights –
Where is this mystery given? If you dont know, dont speak of it.
The mystery of spheres is always within us, in our souls,
Above our heads,
Drink deeply
This mysterious drink.
Burn away the possibility of smiles,
Serious love
For light –
Which is the blood
Of the first – long ago – Christians,
Strengthening the light.
Outside of mystery, there is
Nothing.
Life outside of it is an embodied flaw.
You cannot comment Why?
Below this central scene, seven figures kneel or sit, arranged in a semi-circular formation. Each individual is identifiable by the distinctive habit of their religious order; these are clearly depictions of saints. Their gestures – hands raised in supplication or blessing – suggest reverence and participation in the coronation taking place above. The color palette for these lower figures is more restrained, utilizing browns, blacks, and muted tones that contrast with the luminosity of the upper scene. Each saint also possesses a halo, albeit smaller than those surrounding Christ and Mary.
The artist’s use of light is significant. It emanates primarily from behind the central figures, illuminating them while casting the lower saints in a softer glow. This creates a visual hierarchy, directing the viewers attention to the divine act of coronation. The faces of all individuals are rendered with a degree of solemnity and serenity, conveying piety and devotion.
Subtly, there is an emphasis on institutional representation. The inclusion of these specific saints – each associated with distinct orders or theological traditions – suggests a desire to legitimize or endorse the authority being bestowed upon Mary. It’s likely that this work served as more than just a devotional image; it functioned as a visual statement about religious order and patronage, reinforcing established hierarchies within the Church. The arrangement of the saints also implies a lineage of faith, connecting past spiritual leaders with the present moment of divine blessing.