Fra Angelico – The Last Judgement
c.1450. 103x28, 103х65, 103x28
Location: Gemäldegalerie, Berlin.
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The upper section teems with numerous figures arranged in tiered layers. They are depicted in various poses, some appearing to ascend towards the central figure, others seemingly drifting or floating within this celestial realm. The clothing is diverse, ranging from flowing robes to more structured garments, indicating a variety of social standings and perhaps symbolic roles. A sense of movement and dynamism pervades this area, with figures interacting and gesturing toward the central authority.
The lower portion presents a markedly different atmosphere. It’s filled with a chaotic mass of individuals exhibiting expressions of distress, fear, and despair. They are crowded together, their bodies contorted in postures that convey suffering and torment. The color palette here is darker and more somber compared to the brighter hues used above, reinforcing the sense of dread and punishment.
The composition’s structure suggests a hierarchical arrangement – a clear distinction between those deemed worthy and those condemned. The central figures posture conveys both power and solemnity; it seems to be presiding over this momentous occasion. The cruciform shape below reinforces the religious context, potentially symbolizing salvation or sacrifice.
Subtly, one notices a lack of individualized features among many figures in both sections. This could imply that they represent broader categories – the saved, the damned, and perhaps humanity as a whole facing divine judgment. The sheer number of individuals depicted emphasizes the scale of this event and its universal implications. The artist’s choice to portray such a vast assembly suggests an exploration of themes related to morality, redemption, and the consequences of human actions.