Petru has to turn back Henry Justice Ford (1860-1941)

The drawing presents a dramatic scene framed by an ornate border that evokes medieval illuminated manuscripts. Within this frame, a central figure on horseback is confronted by a monstrous entity. The rider, clad in armor and wielding a raised weapon – likely a sword or spear – appears resolute yet vulnerable against the overwhelming threat. The horse itself seems agitated, its head turned sharply towards the approaching danger, suggesting a shared sense of alarm.
The creature dominating the composition is rendered with considerable detail, exhibiting features that blend reptilian, canine, and demonic characteristics. Its open maw reveals rows of sharp teeth, and its eyes convey an intense, predatory gaze. The artist has employed dense hatching and cross-hatching to create a palpable texture for this figure, emphasizing its menacing presence.
The composition is dynamic; the diagonal lines created by the rider’s weapon and the creatures posture generate a sense of movement and impending conflict. The background appears to be a paved area, adding depth and grounding the scene within a defined space.
Beneath the image, inscribed in a stylized font, are the words Petru has to turn back, which provide narrative context without explicitly identifying the characters or story depicted. This inscription suggests a moment of retreat, a forced reconsideration of a course of action, and potentially a sense of defeat or strategic withdrawal. The subtext implies that the confrontation is not easily won, and that turning away might be necessary for survival.
The drawing’s style – characterized by its intricate linework, dramatic lighting, and fantastical subject matter – hints at an influence from late nineteenth-century illustration traditions, possibly associated with folklore or heroic narratives. The overall effect is one of heightened tension and a sense of foreboding, leaving the viewer to ponder the reasons behind this necessary retreat.