Remedios Varo – lrs Varo Remedios Hairy Locomotion
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The central figures are male, clad in dark blue robes. Each is distinguished by an elaborate growth of hair – not simply facial hair, but thick, flowing strands that extend downwards, almost like tendrils or roots. These hairy appendages seem to be the means of locomotion; they coil and twist, lifting the men slightly off the ground, suggesting a form of levitation or unconventional movement. The figures’ faces are solemn, their gazes directed forward with an air of quiet determination or resignation.
To the left stands a solitary female figure in a long, greyish-green dress. She is positioned at the edge of the scene, her posture suggesting observation rather than participation. A thin red cord is loosely tied around her waist, adding a subtle detail that might signify constraint or connection to the procession.
At the base of the composition, several small birds are depicted in flight across a patterned floor. Their presence introduces a note of lightness and freedom, contrasting with the weighty solemnity of the figures above. The dark background at the bottom of the painting further emphasizes the figures and their unusual movement.
The subtexts within this work seem to explore themes of transformation, ritual, and perhaps even societal constraint. The hairy appendages could be interpreted as symbols of burden, growth, or a connection to something primal or subconscious. The procession itself suggests adherence to an established order, while the female figure’s detached observation hints at questioning or dissent. The birds might represent aspirations for liberation from the imposed structure. Overall, the painting evokes a sense of mystery and invites contemplation on the nature of identity, belonging, and the unconventional paths one might take through life.