salome, costumes for dance of seven veils 1917 Exter

The composition presents three figures arranged vertically against a dark, almost black background. The central figure dominates the scene, positioned slightly off-center and facing forward with a direct gaze. This individual is clad in a vibrant orange garment that appears fragmented and geometrically constructed. To either side stand two additional figures, their postures suggesting movement or preparation for performance. One holds a circular object aloft, while the other rests a hand on her chin, seemingly lost in thought.
The artist’s approach to form departs significantly from naturalistic representation. Bodies are rendered as angular planes, with sharp lines and flattened perspectives that deconstruct traditional notions of volume and depth. The faces exhibit stylized features – elongated eyes, simplified noses, and minimal detailing – contributing to an overall sense of theatricality and abstraction.
The color palette is limited but impactful. The orange of the central figure’s costume provides a focal point, contrasting with the cooler tones of green and blue used for the other garments. These colors are not blended smoothly; instead, they appear in distinct blocks, further emphasizing the fragmented nature of the forms.
Subtly, there is an implication of ritual or performance. The figures gestures – the raised object, the contemplative pose – suggest a deliberate act, possibly part of a choreographed sequence. The dark background creates a sense of enclosure and mystery, hinting at a hidden narrative or symbolic meaning. The overall effect evokes a feeling of controlled energy and stylized grace, characteristic of theatrical presentation. The fragmented forms could be interpreted as representing the deconstruction of traditional beauty standards or the exploration of movement through geometric abstraction.