Vincenzo di Antonio Frediani – The Adoration of the Christ Child
~1490. 50×45 cm
Location: Art Institute, Chicago.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the woman sits an older individual, presumably a male figure, identifiable by his white hair and halo. He too appears to be engaged in prayer, his posture mirroring that of the central female figure. A younger child, with reddish-brown hair, stands beside the praying group, also facing the Christ Child.
The composition is framed by a classical column on the left side, which serves as a visual anchor and suggests an architectural setting beyond the immediate scene. The background features a detailed landscape – rolling hills dotted with trees, a flock of sheep grazing in a meadow, and a distant town or castle perched atop a rocky outcrop. This backdrop lends a sense of serenity and expansiveness to the overall composition.
The color palette is dominated by rich reds, blues, and golds, which contribute to the paintings luminous quality. The artist’s use of light emphasizes the figures’ faces and garments, drawing attention to their expressions of piety and devotion.
Subtly embedded within this scene are layers of meaning. The landscape, with its pastoral elements, evokes a sense of innocence and harmony – a fitting backdrop for the divine event being depicted. The inclusion of both young and older individuals suggests that adoration transcends age and generation. The positioning of the figures, all oriented towards the Christ Child, reinforces his central importance within the narrative. The careful arrangement of the group creates an atmosphere of solemnity and reverence, inviting contemplation on themes of faith, humility, and divine grace.