Pablo Picasso Period of creation: 1919-1930 – 1923 Femme assise les bras croisВs (Sarah Murphy)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a profile view that isnt entirely conventional; while the nose and cheekbone are clearly defined in profile, the eyes gaze directly forward, establishing an unsettling connection with the observer. This juxtaposition of perspectives disrupts any easy reading of the figure as simply passive or decorative. The hair is pulled back into a simple arrangement, emphasizing the angularity of her face and contributing to a feeling of austerity.
The artist employed a loose brushstroke technique, particularly evident in the rendering of the background which dissolves into an indistinct haze. This lack of detail draws attention to the figure herself, while also suggesting a sense of isolation or confinement. The lighting is diffuse, casting soft shadows that flatten the forms and contribute to the overall melancholic mood.
Subtly, there’s a tension between vulnerability and resilience in her expression. While the gaze might be interpreted as sorrowful or contemplative, the set jawline and crossed arms suggest an underlying strength and determination. The simplicity of the attire – a light-colored garment that clings to the form – further underscores this duality; it reveals without revealing too much, hinting at a complex inner life.
The painting seems less concerned with realistic representation than with conveying a psychological state. It is not merely a portrait but an exploration of identity and emotion, inviting speculation about the circumstances surrounding the subject’s pose and demeanor. The overall effect is one of quiet dignity tinged with melancholy, leaving room for multiple interpretations regarding her story.