The Miracle of the Ticino River Camillo Procaccini (1561-1629)

Here we observe a dynamic composition rendered in reddish-brown chalk on paper. The scene unfolds around what appears to be a body of water, likely a river given the presence of several figures seemingly struggling within it. A central figure, distinguished by their raised arm and flowing robes, dominates the left side of the image. This individual gestures towards the right, directing attention toward a group of people caught in the current.
The artist depicted these individuals with varying degrees of distress; some appear to be actively flailing, while others seem overwhelmed by the force of the water. The figures are rendered with energetic lines that convey movement and urgency. A sense of chaos is further emphasized by the lack of a clearly defined horizon line and the somewhat ambiguous spatial relationships between the characters.
To the left of the central figure stands another individual, partially obscured but seemingly observing the unfolding events. Behind them, a structure resembling an architectural element – perhaps a column or a monument – adds depth to the composition. The artist’s use of hatching and cross-hatching creates tonal variations that suggest volume and form, despite the drawings monochromatic nature.
Subtly embedded within this depiction is a narrative tension. The central figure’s gesture implies intervention, suggesting an act of salvation or divine assistance amidst the apparent peril. The composition hints at a moment of crisis resolved through supernatural action – a potential miracle. The placement of the figures and their expressions evoke empathy in the viewer, prompting consideration of themes such as faith, rescue, and the power of belief. The drawing’s unfinished quality contributes to its immediacy; it feels like a spontaneous record of an event witnessed firsthand.