Marco Benefial (Attributed) – Domine, quo vadis?
early 18th century probably. 76×48
Location: National Museum (Nationalmuseum), Stockholm.
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To the right, an older man kneels, his posture conveying profound distress and supplication. His hands are raised to his face, obscuring his eyes and suggesting deep anguish or internal struggle. The artist has rendered him with a long beard and furrowed brow, emphasizing his age and apparent wisdom. He is clad in simple robes of yellow and blue, which contrast with the younger man’s more exposed state.
The background is characterized by a dense, dark forest that recedes into a stormy sky. A glimpse of what appears to be a city or settlement can be discerned through the trees, suggesting a connection between the figures immediate drama and a larger societal context. The limited palette – dominated by browns, greens, and muted yellows – contributes to the somber mood. Light is strategically employed to highlight the two central figures, drawing attention to their interaction while leaving much of the background in shadow.
Subtly, the painting explores themes of choice, responsibility, and moral questioning. The younger man’s gesture and forward gaze imply a journey or a decision that must be made. The older mans reaction suggests an internal conflict – a moment of doubt or crisis. The landscape itself seems to mirror this inner turmoil, with its dark foliage and ominous sky hinting at the weight of the situation. There is a sense of impending consequence, as if the encounter holds significant implications for both individuals and potentially for those beyond the frame.