#27981 Javier Clavo (1918-1994)

The composition presents a fragmented view, seemingly depicting urban architecture interwoven with organic forms. The upper portion is dominated by a sky filled with swirling brushstrokes of blue and white, suggesting movement and atmospheric turbulence. Below this, the artist has arranged a series of angular shapes that could be interpreted as buildings or structures. These are not rendered realistically; instead, they appear as abstracted planes, overlapping and intersecting to create a sense of spatial ambiguity.
A striking element in the foreground is a cluster of forms painted in vibrant reds and oranges. The central form within this grouping possesses a circular motif reminiscent of a flower or perhaps an eye, drawing immediate attention. This area contrasts sharply with the cooler tones above, creating a visual focal point that also introduces a sense of warmth and intensity.
The color palette is complex, employing both saturated hues and muted tones to generate depth and texture. The use of thick impasto in certain areas adds physicality to the painting, while thinner washes create a more ethereal quality elsewhere. A vertical band of green with a subtle purple outline appears on the right side, providing a grounding element amidst the chaotic arrangement.
The overall effect is one of disquieting dynamism. It’s not clear whether we are looking at a cityscape or an interior space; the artist seems to be more interested in exploring the interplay of form and color than in creating a recognizable scene. The fragmented nature of the composition, combined with the expressive brushwork, suggests a subjective experience – perhaps a memory, a dream, or a fleeting impression of urban life. There is a sense of underlying tension between order and chaos, structure and fluidity.