Part 3 – Johann Heinrich Tischbein I (1722-1789) - Self-portrait with his wife at the spinet
1756-57. 51x39
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The woman’s attire is elaborate – a pale blue gown with delicate lace sleeves and a matching headdress. Her posture suggests both grace and concentration. The spinet itself is richly ornamented, reflecting the affluence of the depicted household. A small chest of drawers stands adjacent to the instrument, adorned with floral arrangements in a porcelain vase.
The man’s clothing – a dark coat over a waistcoat – conveys a sense of formality and status. His gaze directed towards his wife implies an attentive and perhaps admiring relationship. The presence of the easel, partially obscuring a work-in-progress, immediately signals that this is not merely a depiction of domestic life but also a self-referential statement about artistic creation.
A small dog sits at the feet of the couple, adding a touch of informality to the scene and contributing to the overall sense of familial harmony. The patterned wallpaper in the background establishes a setting of refined taste and comfort.
Subtly, the painting conveys themes of domesticity, artistry, and social standing. The artist’s inclusion of himself within the composition allows for an exploration of his role as both observer and creator. The act of portraying his wife at the spinet could be interpreted as a celebration of her talents or a demonstration of his skill in capturing likeness and character. The unfinished painting on the easel hints at the ongoing nature of artistic endeavor, suggesting that creation is a continuous process rather than a completed product. Overall, the work offers a glimpse into the life of an educated and prosperous family during a period characterized by elegance and intellectual pursuits.