Carlo Mancini – View of an alley in Chioggia
1870~1880
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architecture appears aged and weathered; surfaces are marked by discoloration, crumbling plaster, and visible brickwork. The buildings themselves seem to lean slightly inward, contributing to the feeling of compression within the alley. Shutters adorn several windows, some closed, others partially open, suggesting a quiet domesticity or perhaps an intentional withholding of view.
Light plays a crucial role in shaping the atmosphere. A strong shaft of sunlight illuminates the far end of the alleyway, creating a pool of bright light that contrasts sharply with the shadows cast by the buildings and arches. This concentrated illumination draws attention to the vanishing point, hinting at something beyond the immediate confines of the scene. The effect is not one of harsh brightness, but rather a diffused glow that softens the edges and adds a touch of warmth to the otherwise somber palette.
The color scheme is dominated by muted earth tones – ochres, browns, grays, and pinks – which contribute to the overall sense of age and decay. The limited range of colors reinforces the feeling of confinement and introspection.
Subtly, theres a suggestion of human presence without any explicit figures being depicted. The slight indication of a person at the end of the alleyway, combined with the domestic details like shutters and windows, implies a lived-in space, albeit one that is presently quiet or deserted. The painting evokes a mood of solitude and contemplation, inviting the viewer to imagine the lives unfolding within these aged walls. It’s not merely a depiction of a place; its an exploration of atmosphere and the passage of time.